Articulation

Articulation

Sep
27

Ute Decker Articulation, 2019 100% recycled sterling silver and nylon coated steel cable neck sculpture 110 cm worn 218 cm full length edition of 24 unique within the series initialled and hallmarked   The award winning, internationally exhibited artist jeweller, with pieces in several museum collections including the V&A sculpts movement into powerful minimalist forms for her first solo show at the gallery. Sensuous undulations characterize the new Waves series created for this exhibition. Expressing the beauty of nature through abstractions, Ute Decker is arresting time to take a closer look at the movement of waves, usually so fleeting.  

Segmenti

Sep
04

Giorgio Vigna Segmenti, 2019 32 cage segments in oxidised silver and 3 cage segments in 18kt yellow gold necklace 101 cm long Unique and signed

Bespoke Anahata Necklace

Sep
04

Noor Fares Bespoke Anahata Necklace, 2019 18kt grey gold hexagonal muzo emerald pendant with coloured pave sapphires, white diamonds and an inlay of stones Unique Derived from the Sanskrit word for “Life Force”, Prana explores the ancient seven Chakra system, namely Muladhara (Root), Svadhishthana (Sacral), Manipura (Solar Plexus), Anahata (Heart), Vishuddha (Throat), Ajna (Third Eye), and Sahasrara (Crown) to provide balance allowing vital energy to flow.

Bespoke Sahasrara Pendant

Sep
04

Noor Fares Bespoke Sahasrara Pendant, 2019 18kt grey gold carved amethyst pendant with dark purple amethysts, coloured pave sapphires, mother of pearl and enamel 36cm long circa Unique Winner of the 2019 Couture Design Award for in the “Coloured Gemstones” category. Click here for more information. Derived from the Sanskrit word for “Life Force”, Prana explores the ancient seven Chakra system, namely Muladhara (Root), Svadhishthana (Sacral), Manipura (Solar Plexus), Anahata (Heart), Vishuddha (Throat), Ajna (Third Eye), and Sahasrara (Crown) to provide balance allowing vital energy to flow.

Muladahara Bespoke Pendant

Sep
04

Noor Fares Muladahara Bespoke Pendant, 2019 18kt yellow gold carved smokey quartz and rosewood pendant with black mother of pearl, coloured pave sapphire and white diamonds 60cm long circa Unique Derived from the Sanskrit word for “Life Force”, Prana explores the ancient seven Chakra system, namely Muladhara (Root), Svadhishthana (Sacral), Manipura (Solar Plexus), Anahata (Heart), Vishuddha (Throat), Ajna (Third Eye), and Sahasrara (Crown) to provide balance allowing vital energy to flow.

Bespoke Vishuddha Choker

Sep
04

  Noor Fares Bespoke Vishuddha Choker, 2019 18kt grey gold paraiba tourmaline choker with coloured sapphire baguettes, pearls, and white diamonds Unique Derived from the Sanskrit word for “Life Force”, Prana explores the ancient seven Chakra system, namely Muladhara (Root), Svadhishthana (Sacral), Manipura (Solar Plexus), Anahata (Heart), Vishuddha (Throat), Ajna (Third Eye), and Sahasrara (Crown) to provide balance allowing vital energy to flow.

The Word (Love) Made Flesh

Sep
04

  Kendell Geers The Word (Love) Made Flesh, 2019 Silver and enamel pendant 7 x 7.4cm Edition of 20 Signed and numbered The Word (Love) Made Flesh collection consists of a pendant and cufflinks featuring an intricate figurine-like design derived from the ‘Hwe Mu Dua’ (‘measuring stick’) symbol – the West African Andrinka symbol of excellence and perfection. The pendant beautifully displays different brightly coloured patterns on each side, whereas the cufflinks reveal positive and negative black and  images. These spiritually charged wearable sculptures cannot, however, be categorised as either European or African, but are rather representative of an interplay between cultures, archetypal signs, and sacred symbols. In the true spirit of Kendell Geers, the archetypal trickster, the ancient African symbols featured in The Word (Love) Made Flesh have been refashioned in an Afropunk style and spell out the word ‘LOVE.’ The Word (Love) Made Flesh thus epitomises the artist’s tendency to subvert ancient iconography by embracing both traditional and contemporary African aesthetics. As the title suggests, The Word (Love) Made Flesh invites the wearer to search for the hidden word within the figure. Words that reoccur throughout the artist’s works include ‘LOVE,’ ‘HATE,’ ‘FAITH,’ ‘FUCK,’ and ‘FREE,’ among others. The pendant and cufflinks can […]

Ray Fin Necklace

May
28

John Moore Fin Ray, 2019 18kt yellow gold and hand cut sterling silver necklace with magnets, 24 diamonds, and silicone rubber 13 x 7 cm Unique and signed   John’s fascination with fish and their movement is captured here in a series of necklaces, shaped and articulated like the fin of a ray.  

Untitled

May
17

Rebecca Horn Untitled, 2019 22kt yellow gold and labradorite necklace Length 43 cm; height of clasp 3.5 cm Unique and signed   In collaboration with Luisa del Valle, Rebecca Horn’s Untitled (2019) series encapsulates her interest in the talismanic nature of precious stones. After months of research, del Valle sourced rare, labradorite stones, of which have been revered for its protective properties. Horn was enchanted by their bright mirage of colours, creating this project of a unique 22k yellow gold and labradorite set of rings and a necklace. From every angle the wearer moves, each gemstone glows in the light. Wearing these protective talismans as it gleams a spectrum of colours is almost as if wearing the impressionists paintings of the 19th century.  

Lupa Romana

May
17

Paolo Canevari Lupa Romana, 2019 Micro-mosaic and 9kt rode gold pendant 4.5 x 3.5 cm 42.5 cm chain Unique and signed Make it Yours ♥ With his Wearable Art projects, Canevari delves into his ideas of drawing, painting, or sculpting iconography and recognisable imagery into another dimension: into something we can wear. Lupa Romana incorporated the ancient Roman micro-mosaic techniques, and features the She-Wolf, a significant symbol of Rome, celebrated for her nurturing and protective powers.  ‘I believe that the most important inspiration for an artist’s work is people’s way of thinking. Spirituality, as part of the human condition, brings with it a presence, a meaning, a symbol, a soul. I utilise icons in my work as a way of connecting with this fundamental truth. A tire, a skull or a bomb are recognisable images and part of our universal knowledge, just as much as a sacred image, or an image of a dog. What I do is use these icons in a new context, or structure, that places their meaning in jeopardy.’ – Paolo Canevari

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