Untitled

Rebecca Horn Untitled, 2019 22kt yellow gold and labradorite necklace Length 43 cm; height of clasp 3.5 cm Unique and signed   In collaboration with Luisa del Valle, Rebecca Horn’s Untitled (2019) series encapsulates her interest in the talismanic nature of precious stones. After months of research, del Valle sourced rare, labradorite stones, of which have been revered for its protective properties. Horn was enchanted by their bright mirage of colours, creating this project of a unique 22k yellow gold and labradorite set of rings and a necklace. From every angle the wearer moves, each gemstone glows in the light. Wearing these protective talismans as it gleams a spectrum of colours is almost as if wearing the impressionists paintings of the 19th century.  

Paolo Canevari Lupa Romana, 2019 Micro-mosaic and 9kt rode gold pendant 4.5 x 3.5 cm 42.5 cm chain Unique and signed Make it Yours ♥ With his Wearable Art projects, Canevari delves into his ideas of drawing, painting, or sculpting iconography and recognisable imagery into another dimension: into something we can wear. Lupa Romana incorporated the ancient Roman micro-mosaic techniques, and features the She-Wolf, a significant symbol of Rome, celebrated for her nurturing and protective powers.  ‘I believe that the most important inspiration for an artist’s work is people’s way of thinking. Spirituality, as part of the human condition, brings with it a presence, a meaning, a symbol, a soul. I utilise icons in my work as a way of connecting with this fundamental truth. A tire, a skull or a bomb are recognisable images and part of our universal knowledge, just as much as a sacred image, or an image of a dog. What I do is use these icons in a new context, or structure, that places their meaning in jeopardy.’ – Paolo Canevari

Alba Polenghi Lisca GPAO 18, 2007 blackened satin silver necklace 126 cm; each element: 6.2 x 2.3 x 1 cm limited edition signed   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca  

Alba Polenghi Lisca Moorea GT14, 2006 satin silver necklace 116 cm; each element: 8 x 1.6 cm Limited edition Signed Make it Yours ♥   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca  

Alba Polenghi Lisca Collana Moorea PT22, 2006 satin silver necklace 110 cm; each element: 5 x 1 cm limited edition signed   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca

Alba Polenghi Lisca Collana Pantra Concavo, 2005 satin silver pendant 7.6 x 0.8 x 7.7 cm Edition of 4 Signed Make it Yours ♥ ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca    

Alba Polenghi Lisca Collana Eclisse, 2001 Blackened satin and gold-plated silver pendant 5 x 0.8 x 13 cm Edition of 3 Signed Make it Yours ♥   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca    

Albe Polenghi Lisca Collana Meltemi, 2010 satin silver necklace 20 x 23.5 cm unique and signed   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca    

Alba Polenghi Lisca Collana Le Mal du Fleur, 2008 satin silver necklace 15 x 13 cm edition of 2 signed   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca      

Alba Polenghi Lisca Collana Calliope 1, 2005 satin silver pendant 5.3 x 1.2 cm unique   ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca