Cucumber
Erwin Wurm Cucumber, 2014 Silver brooch with sapphires Cucumber length 4cm Edition of 10 Signed and numbered Erwin Wurm’s diverse, multimedia, witty oeuvre proclaims that “all is sculpture” in the spaces occupied by both art and life. The artist’s project of the ironic sculpture is one of the essential subversive strategies of modern art, occupying a prominent and original position. For an awards ceremony Wurm created a pickled cucumber, a parody of a figure of victory, outweighing provocation. From this idea he created a series of 40 works entitled Self-Portrait as Cucumber, showing his ability to laugh at himself. The jewellery project in collaboration with Elisabetta Cipriani recreates the provocation and irony of the self-portrait works, with a series of cucumber made in silver and sapphires. What Wurm wants to raise with this work is the astonishment caused by realising that the jewellery, made with precious gems, represent a simple vegetable that would otherwise be unnoticed or considered unattractive.
Spilla Cielo
Alba Polenghi Lisca Spilla Cielo, 2015 silver, black enamel and white gold clasp brooch 8 x 8 x 0.4 cm edition of 9 signed ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca
Spilla Zeta
Alba Polenghi Lisca Spilla Zeta, 2014 engraved satin silver and black enamel brooch 11 x 5.6 x 1.5 cm unique and signed ‘The artist jewel includes his/her own aesthetic – artistic research, deepening of his reflection, thus becoming a piece of art independent of the jewel intended as an ornament. For me, the jewel reflects the anticipated discourse in painting translated into a new language with different materials, the design of which comes from a design – shape – sign, a process that I follow from the beginning of the work in each piece.’ – Alba Polenghi Lisca
Nidi (Nests) Brooch & Pendant
Sissi Nidi (Nests), 2018 18kt gold threads with diamonds, sapphires, rubies and emeralds brooch & pendant 10.5 x 3.5 cm unique and signed With an artistic focus of anatomical study in relations to environmental elements, Sissi brings forth new ways to interpret wearable art, as the pieces transform into a second skin of light and gold for the wearer. For her wearable art pieces, Sissi interlaces the symbolism of the bird’s nest with the anatomy of the human body. The artist’s creations are hand-made and embellished, yet delicate like her sculptures. Carefully interwoven and welded with gold and silver threads, decorated with precious gemstones, Sissi’s contemplative process re-imagines a sculptural piece of art to work in tandem with the single wearer. It was pivotal to Sissi to be personally involved with the production of her wearable art pieces. Nests draws its symbolism from natural nests which provide a safe place. Nests can be displayed as a sculpture when taken off, and becomes a sculptural work of wearable art that unites with the individual when worn.
Nidi (Nests) Brooch & Pendant
Sissi Nidi (Nests), 2018 Silver threads and hand painted enamels brooch & pendant 5.5 x 6.5 cm unique and signed With an artistic focus of anatomical study in relations to environmental elements, Sissi brings forth new ways to interpret wearable art, as the pieces transform into a second skin of light and gold for the wearer. For her wearable art pieces, Sissi interlaces the symbolism of the bird’s nest with the anatomy of the human body. The artist’s creations are hand-made and embellished, yet delicate like her sculptures. Carefully interwoven and welded with gold and silver threads, decorated with precious gemstones, Sissi’s contemplative process re-imagines a sculptural piece of art to work in tandem with the single wearer. It was pivotal to Sissi to be personally involved with the production of her wearable art pieces. Nests draws its symbolism from natural nests which provide a safe place. Nests can be displayed as a sculpture when taken off, and becomes a sculptural work of wearable art that unites with the individual when worn.
Pommes de Jong
Jacqueline de Jong Pommes de Jong, 2017 Shrunk potato, sprouts, 18kt yellow gold plated brooch 16 cm long Unique ref. B2 Pommes de Jong is an ongoing project that came to life in 2007 in Bouan (Bourbonnais, France) where in the mid 1990’s de Jong and her husband decided to buy a house. She created a vegetable garden and they planted potatoes in memory of the lack of food during the war. De Jong stored the potatoes in a 13th Century cellar and suddenly realized that she was fascinated by the huge amount of sprouts that were growing from the shrunk tubers. When de Jong was asked by a jewellery collector to make a jewel for her, she thought that she might do something with these shrunk potatoes and their sprouts that were getting longer and longer. Pommes de Jong were inspired by the idea of transforming a humble object into a precious one. In the realization of the wearable art, the potatoes and their sprouts are dried slowly by the artist over a period of two years and are submerged in a bath of platinum or gold becoming exclusive pieces of wearable art.
Pommes de Jong
Jacqueline de Jong Pommes de Jong, 2017 Shrunk potato, sprouts, 18kt yellow gold plated brooch 12 cm long Unique ref. B1 Pommes de Jong is an ongoing project that came to life in 2007 in Bouan (Bourbonnais, France) where in the mid 1990’s de Jong and her husband decided to buy a house. She created a vegetable garden and they planted potatoes in memory of the lack of food during the war. De Jong stored the potatoes in a 13th Century cellar and suddenly realized that she was fascinated by the huge amount of sprouts that were growing from the shrunk tubers. When de Jong was asked by a jewellery collector to make a jewel for her, she thought that she might do something with these shrunk potatoes and their sprouts that were getting longer and longer. Pommes de Jong were inspired by the idea of transforming a humble object into a precious one. In the realization of the wearable art, the potatoes and their sprouts are dried slowly by the artist over a period of two years and are submerged in a bath of platinum or gold becoming exclusive pieces of wearable art.
