Motivo Astratto (Abstract Motif)

Mirko Basaldella Motivo Astratto (Abstract Motif), 1955 Yellow gold (Oro Masenza) chiseled casting bracelet 17 x 4.5 cm unique Basaldella was researching on new forms and abstractions, his sculptures evolved and mutated into a more twirled patterns and the architectural feature in his works started to prevail. As a matter of fact, and among the most peculiar of his monumental creation, the spectacular and imposing bronze gate designed by the Artist between 1950-1951 at the Mausoleum of the Fosse Ardeatine in Rome (Italy). An extremely intricate movement of woven signs and lines, which will soon become Basaldella’s trademark and the main principle in his wearable pieces, like the 1955 Abstract Motif  bracelet. Here the Artist mutated the bronze into gold and reduced to the size of the jewel the interlocking knife shapes and lines perceptible in the design of the gate, lightening though the graphic. Made in chiselled ‘Masenza gold 64’, also identified as ‘green gold’ for its distinctive gold-silver alloy, it’s a resemble and echo of the ancient Etruscans sculptures and Roman’s jewellery, to which Mirko always expressed a particular interest. Published on the book Gioielli D’artista in Italia 1945- 1995 (page 75), Abstract Motif bracelet it’s been inherited by […]

Pol Bury Spheres on both sides of a square, 1968 18kt yellow gold bracelet stamped GEM 750 H 73 cm Edition of 50 Signed and numbered Pol Bury dedicates himself to rethinking ‘ornament’ with his own creativity examining metal and movement as he did on large scale sculptures. Even though it was a personal game, working on small sculptures to wear was an extension of his creativity.  For the artist it was important how the jewellery felt against the body and to give equal importance to both views of the piece, as shown in the Spheres on Both Sides of a Square bracelet, where yellow gold spheres of equivalent size are mounted on both sides. This rare 18kt yellow bracelet was produced in 1968 with GEM Montebello in Milan and it is from an unfinished edition of 50 [only 25 have been made]. It is signed, dated, numbered, stamped GEM 750 and comes in its original box. At the age of 25, GianCarlo Montebello and his wife Teresa Pomodoro founded GEM Montebello in 1967 with the intent to propose to the public multiples and limited editions wearable ornaments made by international renowned artists like Man Ray, Lucio Fontana, Sonia Delaunay, Jesús […]

Gigi Mariani 9 circles 2022 18kt yellow gold, silver and niello bracelet Unique and signed

Sophia Vari Clytia, 2006 Pau Amarelo wood from Brazil and 18 kt yellow gold bracelet 10 x 8 x ø 4.5 cm edition of 8 plus 1 AP signed and numbered Vari approaches wearable art in precisely the same manner and strength as her abstract sculptures, collages and paintings. Her thorough exploration of bold geometric forms, the examination of volume, painterly curves and lines result in the composition both peaceful and elegant but also captures a harmonious theatrical tension. Only the highest quality materials from marble to bronze are used in Vari’s large-scale work. Similarly, her wearable art, the pieces combine the most refined materials such as gold, silver, wood, ebony, leather, root emerald, rock crystal and sapphire among others. Each piece of jewellery is a part of a limited edition or is a unique work, incised with the artist’s signature “Vari” and numbered like her sculptural works. Of her methods, she reveals:  “It can take a week, a month or even more to realise a piece. I work until I know that I can’t take away or add anything more.”   

Sophia Vari Hélios, late 90s silver bracelet 7 x 10 cm edition of 6 signed and numbered Sophia Vari’s “portable sculptures”, as she likes to call them, first became part of the artist’s body of work 30 years ago; at a time in her life when demanding international schedule kept her constantly on the move. While travelling, she carried with her a small box of plasticine, from which she would mould miniature sculptures. “From that day on, I had a new creative challenge that gave me a lot of joy because I could see the pieces being worn,” she recalls. Vari approaches wearable art in precisely the same manner and strength as her abstract sculptures, collages and paintings. Her thorough exploration of bold geometric forms, the examination of volume, painterly curves and lines result in the composition both peaceful and elegant but also captures a harmonious theatrical tension. “It is a real challenge for me, and it is very much like creating a sculpture, made to be worn. No doubt, the fact that I am a woman has its advantages. Firstly, because I can try it on me – and secondly the fact that I have greater sensitivity compared to a male […]

Ania Guillaume Spring Flowers, 2022 handsculpted silver cuff 2.5 cm height Unique

Ania Guillaume Spring Flowers, 2022 handsculpted silver cuff 5 cm height Unique

Ania Guillaume Spring Flowers, 2022 handsculpted silver and gold-plated cuff 7 cm height Unique

Ania Guillaume Spring Flowers, 2022 handsculpted silver and gold-plated cuff 7 cm height Unique

Sophia Vari Ulysse II, 2011 Silver and white lacquer bracelet L 7 x W 6.7 cm (internal diameter 4.25 cm ) Unique and signed Sophia Vari’s “portable sculptures”, as she likes to call them, first became part of the artist’s body of work 30 years ago; at a time in her life when demanding international schedule kept her constantly on the move. While travelling, she carried with her a small box of plasticine, from which she would mould miniature sculptures. “From that day on, I had a new creative challenge that gave me a lot of joy because I could see the pieces being worn,” she recalls. Vari approaches wearable art in precisely the same manner and strength as her abstract sculptures, collages and paintings. Her thorough exploration of bold geometric forms, the examination of volume, painterly curves and lines result in the composition both peaceful and elegant but also captures a harmonious theatrical tension. “It is a real challenge for me, and it is very much like creating a sculpture, made to be worn. No doubt, the fact that I am a woman has its advantages. Firstly, because I can try it on me – and secondly the fact […]