Aigana Gali Totem Necklace “Hero”, 2021 Gold-plated bronze necklace 28 x 16.5 cm full necklace, 14 x 11 cm when detached (head with bird on a sun disk), 215 grams. Edition of 25 plus 2 AP Signed and numbered Aigana Gali’s wearable art project Totem Necklace “Hero” (2021) is a contemporary reimagination of the traditional Kazakh necklace Onirzhiek. Historically worn by the warriors of the great Central Asian steppes, the spiritual craft of making the Onirzhiek necklace has been passed on between generations for millennia. The archaeological expeditions in eastern Kazakhstan have found examples of such amulet adornments from the sixth-fourth centuries Before the Common Era. In this totemic creation Aigana Gali brings her people’s ancient tradition into the modern world. The artist enlivens the customary interconnected horizontal rows of the Kazakh chest necklace with deities and metaphors from different times and locales of our global multi-cultural society. The bird reminisces about Noah’s biblical heroic salvation of the animal kingdom, and the luminous golden disk on which the bird rests references humanity’s oneness symbolized by the Ancient Egyptian God of Sun Ra. The Hero’s genderless face cautions of the dangers of the social ego, its wide-open third eye invites wisdom […]
Sissi Cocoons, 2021 18kt gold and blackened silver threads, natural coral, pendant 10 x 7 cm (chain 62 cm long) Unique and signed “The nest is not only the home of the body, but also a space that dresses and protects like the Cocoons wearable sculptures, cocoon-nests that enfold a content. The chrysalis represents both the rest of the being and its momentum, a continuous rebirth extended to the nature of coral. An aviary of intertwined gold and silver threads to enclose a fragment of coral in an embrace. A nature to be saved and to be given back to a protected place”. Sissi
Maria Nepomuceno Vases (Vaso Vida), 2021 18 kt yellow satin gold, 18 kt white gold, baroque pearl ring 3 x 3 cm (31 grams) Edition of 10 plus 2 AP Signed and numbered “My first (virtual) encounter with Elisabetta took place on February 2020, a few days before the Coronavirus pandemic begins. It was incredible to feel the world changing radically throughout the creation process. In my perspective, those little sculptures became to me a symbol of a time when people hugged each other, touched each other naturally, without fear. As a jewel touches the skin. In this project where I created those wearable sculptures, the human body is the support. I can experiment the perfect meaning of the work when it integrates with the body landscape.Those microcosms are atavistically connected to the work I’ve been developing in sculpture. Beads, pearls, vases…As babies the jewels evoke their origin at the large mothers’ installations that I produced. I named Vases these necklace and ring series of works, because it symbolizes the feminine power, fertility, vital energy. Vases contain the mystery where life happens”. Maria Nepomuceno
Monica Bonvicini Ring, 2014 18kt white gold with white diamonds, soft chain ring Edition of 50 Vieri edition Monica Bonvicini incorporates humour into each jewellery piece, working between power and gender, her personal take on how to interpret jewellery. The key inspiration for the collection is based on a rejection of classical styles for open and inventive women and men. Personalities who dare to see jewellery as being about personal expression rather than just status.
John Moore Fin Ray (gold drops), 2019 18kt yellow gold, sterling silver, silicone, rubber, steel magnets necklace 13 x 7 cm Unique John’s fascination with fish and their movement is captured here in a series of necklaces, shaped and articulated like the fin of a ray.
Tania Pistone Rongorongo, 2019 18 kt gold and bespoke coloured enamel (red, white, black and blue) ring 1,5 cm height or variable dimensions Unique and signed Tania Pistone’s wearable art project for Elisabetta Cipriani gallery came to life following the artist’s Rongorongo series, paintings which depict an imaginary alphabet on gold-leaf plates. In her Rongorongo paintings, Pistone creates symbols in a deliberate attempt to reach an ideal alphabet, which addresses our shared, collective human unconscious. A place which she believes has been shaped by the experiences of our ancestors: “The modern human is unable to recover the vision of the world held by our ancient ancestors, a vision which I believe still lives within us. We can only access it is through symbols which represent a story, a colour, a number, or a star… To make a sign vibrate as a symbol our interpretative intent must be to achieve that freedom one feels after making a void. This void gives the symbol some space to activate within us, just like sound vibrations in a sound box. A soundbox cannot produce any vibrations if it is full or if it is completely closed. The sign then becomes a bridge between two worlds, where […]
Liliane Lijn Fossil Twist Necklace, 2019 Electroformed silver and gold plate necklace 70cm long circa Edition of 8 Signed and numbered Evocative of her visual abstractions and material manipulations, Lijn’s concept of the primal earth are finely tuned with the geological sciences. As humanity uncovers the remnants of past creatures, the cycle of life and death are drawn into continuous momentum of renewal and vitality that Lijn echoes in her Fossil series. The way these necklaces engage so fittingly with the wearer evokes a very personal dialogue with Lijn’s motifs of the primal earth. In a very personal, meditative approach with these pieces, Lijn begins her pieces by moulding a clump of very hot wax to create these ornaments upon the necklace piece. The high temperature, granted this malleable nature of the wax to manipulate the mass and resemble these earthen elements. As technology has allowed her to work with a diverse range of materials in her sculptural work; instead of cast metal, electro-forming was used to carefully reflect the same earthen surface texture reinforced into these necklace pieces. Fossil Twist Necklace is a testament to Lijn’s incredibly attention to materiality and form. In order to wear it we […]
Maria Sole Ferragamo S ( H) AVING – Nautilus, 2020 Palladium plated brass and blue varnish earrings Diameter 3.5cm, weight 7g per earring Unique within an edition of 10 S(h)aving is the newborn project of SO-LE Studio that sees Maria Sole Ferragamo working for the first time with metal leftovers, exclusively for Elisabetta Cipriani Gallery. It was born in Sole’s favourite place to be: the factory. During one of her visits to the one that produces the metal elements of her leather jewellery, her attention was captured by a group of bins, containing shining little creatures. They were brass shavings – a mountain of them – of different forms and sizes, covered in oil and united in a huge tangle. Their destiny was to be melted into other brass, but Sole decided to explore the vibration that was there and asked if she could take some to the studio. These brass shavings had an energy, something to say, but never to be repeated. She handpicked each of them, open to explore what they could be transformed into. By following this flow each earring was born with a unique personality and form. The brass shaving is moulded and shaped by Sole’s hands, then coated […]