Lava Cuff
Liliane Lijn Lava Cuff, 2024 Electroformed gold-plated cuff 7 x 2.5 cm Edition 1 of 3 plus 2 AP Lava Cuff, 2024: The Lava Cuff is an electroformed, gold-plated cuff available in an edition of 3, with 2 artist’s proofs. This piece draws inspiration from the flowing textures of lava, creating a tactile and powerful statement that wraps around the wrist like molten rock. Lijn’s artistic approach is deeply rooted in natural forms and elements, drawing inspiration from raw materials—volcanic magma, meteorites, clods of earth, and lunar rocks. These forces are translated into wearable sculptures, crafted from pure electroformed silver in Italy, embodying an organic, almost primordial aesthetic. Each piece reflects humanity’s connection with nature and the cosmos, serving as conceptual explorations of our relationship with the planet. Lijn presents a mesmerising new collection of pendants, and a cuff inspired by the ancient landscapes of Pompeii and the movement of lava. The collection explores fluidity, nature, and the powerful bond between humanity and the natural world. Her visit to Vesuvius and Pompeii ignited a creative vision. “These pieces evoke volcanic or lunar landscapes and even our inner selves. They combine ancient luxury with raw landscapes and cliffs,” she explains. Crafted […]
Double Sprout Branch
Michele Oka Doner Double Sprout Branch, ©2007/2024 bronze, old cut diamnds ,18kt white gold brooch L 13 x 7.5 x 0.5 cm 2.02ct Unique and signed Winter Branches: An Ongoing Conversation (©2007/2024): A series of 9 one-of-a-kind brooches in bronze, 18kt white gold, and old-cut diamonds. Each brooch is given a distinct name, giving it a unique personality that mirrors the diversity of the branches and twigs from which the pieces originate. This collection represents an ongoing dialogue, building upon the success and esteemed history of the original Winter Branch brooches, which sold out during a Christie’s Private Sale in 2015 and have been sought after by distinguished art collectors since 2007. The collection is an homage to “The Botanic Age”—a time long before the Stone Age, when plants and trees were central to human development and creativity. Dr. Dean Falk’s research at Florida State University positions this era as the true cradle of civilisation, where botanic inventions like woven baskets shaped our cognitive and cultural evolution long before we wielded stone tools. Drawn from Oka Doner’s profound connection to the natural world and human history, her designs serve as spiritual meditations of this era, reflecting a time when humans […]
Time ring
Tatsuo Miyajima Time Ring, 2009 18kt red gold with green L.E.D. 18kt yellow gold with blue L.E.D. 18kt white gold with white L.E.D. 4.3 x 3.9 x 3.9 cm – include two batteries Edition of 10 each color variation Signed and numbered Tatsuo Miyajima is one of Japan’s foremost sculptors and installation artists. His work has origins in the philosophy of Buddhism that conceives everything to be in continuous change, connected and lasting forever. The three leitmotivs are effectively expressed in his art through the recurrent reference to time in its perpetual flow. ‘My art relates to time and history, life and death, mind and soul and in particular to human existence. All good arts relate to thoughts about human existence.’ Tatsuo Miyajima Miyajima’s art is characterized by the combination of ever-changing numbers and digital light-emitting diodes (LED). Time Ring, the project in collaboration with Elisabetta Cipriani, perfectly encapsulates this binomial as well as the philosophy of his art. The rings, made in yellow, white or rose gold, present a LED digit display that works as a counter. Numbers are constantly flowing from 1 to 9 or vice versa representing the endless cycle of life. The zero is identified as […]
La Decima Musa
Giulio Paolini La Decima Musa (The Tenth Muse), 2023 silver enamel necklace 10 square elements 3 x 3 cm and torque 14 cm ø edition of 8 plus 2 AP Signed and numbered La Decima Musa (The Tenth Muse) by Giulio Paolini, consists in a necklace formed by a total of ten geometrical squares one of which represents the face of Sappho, a Greek lyric poet. Made in two variants, one in 18kt yellow gold and one in polished silver, both enameled in an edition of ten exemplars, plus two artist’s proof each medium. Plato considered Sappho the best poetic voice in Greek history and called her “the tenth muse”. Here too the figure of Sappho is evoked, surrounded by the nine geometric images inscribed in the nine squares that allude to the nine Muses. The title Decima Musa also takes up a previous work of the artist, created in 1966. In this context Sappho, the tenth muse, become a symbol of the artist’s internal source of inspiration, indicating that true creativity arises from the depths of one’s mind. It invites viewers to consider the role of the artist as a muse-like figure, generating new ideas and perspectives. Sappho is Paolini’s vision of […]
Birds of Paradise
Elsa Sarantidu Birds of Paradise, 2023 silver, 18kt gold, hot pink sapphires , white rodhium plated sculptural cuff Unique For the EC LAB, the gallery selected eight one-of-a kind sculptural pieces from her latest collection Secret Garden. The collection is a testament to the awe-inspiring beauty that lies within the natural world, and an invitation to discover the hidden wonders that await us in the heart of a secret garden. Elsa’s pieces are all designed and handmade by her; she designs the texture and subsequently applied on the surface using a 3D printing technique. The metal sheet is cut and hand-shaped by the artist. “As you wear these pieces, you allow yourself to be transported to a place where dreams intertwine with reality, where the delicate patterns of foliage and the gentle whispers of flowers harmonise in a symphony of serene elegance. Feel the soft caress of petals against your skin, as if nature herself is gently embracing your hand, whispering ancient secrets and stories only the garden’s inhabitants have heard”. As you embark on this journey through my secret garden, I invite you to embrace the beauty that surrounds us, to reconnect with the world that often goes unnoticed […]
Pentozani
Sophia Vari Pentozani, 2022 White resin and yellow gold ring 3.5 x 7 cm edition of 6 plus 2 AP signed and numbered Pentozani, or Pentozalis, is a gravity-bending traditional dance from the Greek island of Crete, where traditional ways of life still hold strong in many areas of the island. The dance’s name is steeped in symbolism. Officially, it comes from the combination of the words five (penti) and step (zalos, Cretan dialect for step), therefore the dance can be translated as “five steps.” Additionally, the word zali can also stand for “dizziness,” indicating a dance that would make dancers dizzy ; it also symbolises the fifth zeal (that is, the step), that stands for the fifth attempt of the Greeks to liberate themselves from the Ottoman Turks. Abstraction is refined to the hummed mantra of “Beauty and Harmony” where bold geometric forms are accentuated by colour coming from unconventional mediums. They are sculptures that become wearable with the force of a poetic statement.New materials such as amaranth wood and resin appeared in front of her by surprise. For this exhibition, Vari was looking for something distinctive and by chance, when looking at the different colours of wood, she discovered the beautiful exotic amaranth […]
Anello (Ring)
Giampaolo Babetto Anello, 1983 18kt yellow gold ring h 1.7 x 3 cm unique and signed Giampaolo Babetto’s work reflects contemporary art movements such as concrete art, minimal art, kinetic or pop art in a unique, purist and plastic manner. His pieces are immediately recognisable by its simple design. He is inspired by the architecture of his homeland, by Palladio’s villas, and by the geometries in which he finds poetry. His jewellery is innovative in concept. Made up of different abstract elements, broken down into modular units, or rendered moveable through the use of ingenious links, Babetto’s works are like small architectural pieces or small sculptures. Babetto prefers working in gold due to its stable malleability and its warm sheen which he combines with unconventional materials such as plastic or glass, ebony, dusting the internal surface with a velvet-like pigment in luminous primary colours of reds or blues or using enamel and age-old niello-based techniques. These materials are used as highlights and contrasts in works of increasingly pure and essential geometrical forms that have come to characterise the Padua School.