Trombe

Arman
Trombe, 1999
Silver ring
Edition of 100

Many of Arman’s early sculptures point to the strangeness inherent in the idea of identical, mass-produced objects. Gathering these identical objects together, he distracts us from their functional purpose and presents them instead as endlessly repeated forms – forms that seem to have a deeper meaning, via the processes of modernization, which has been lost to us.

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