Ring

Ring

Oct
01

Monica Bonvicini Ring, 2014 18kt rose gold with white diamonds, soft chain ring Edition of 50 Vieri edition Monica Bonvicini incorporates humour into each jewellery piece, working between power and gender, her personal take on how to interpret jewellery. The key inspiration for the collection is based on a rejection of classical styles for open and inventive women and men. Personalities who dare to see jewellery as being about personal expression rather than just status.

Ring

Oct
01

Monica Bonvicini Ring, 2014 18kt white gold with white diamonds, soft chain ring Edition of 50 Vieri edition Monica Bonvicini incorporates humour into each jewellery piece, working between power and gender, her personal take on how to interpret jewellery. The key inspiration for the collection is based on a rejection of classical styles for open and inventive women and men. Personalities who dare to see jewellery as being about personal expression rather than just status.

Pebbles series #2

Sep
30

Gigi Mariani    Pebbles series #2 , 2020 Silver, 24kt yellow gold, niello, patina ring 3,2 x 2,1 x h3,8 cm Unique and Signed Gigi Mariani works with antique, almost forgotten techniques. Using niello, a blackener with the aid of sulfur, he conceals the preciousness of the noble metal. Under the application of heat, “blood clots” and cracks appear in the surfaces — making them appear marked by age. Mariani engages his instinctive approach of using the metal surface as a canvas, incorporating he expressive medium of niello, he interrupts that surface texture through his precise, geometric forms. In addition to precious metals, the basic materials of Gigi Mariani’s jewellery include iron, copper and brass. His incredibly sculptural and geometric wearable works of art have become a testament to Mariani’s incredible attention to materiality as both a goldsmith and visual artist.    

A White Point (Square)

Sep
30

  Gigi Mariani   A White Point (Square) , 2020 Silver, 18kt yellow gold, niello, patina, diamond ring 2,8 x 2,8 x 2,9cm Unique and Signed Gigi Mariani works with antique, almost forgotten techniques. Using niello, a blackener with the aid of sulfur, he conceals the preciousness of the noble metal. Under the application of heat, “blood clots” and cracks appear in the surfaces — making them appear marked by age. Mariani engages his instinctive approach of using the metal surface as a canvas, incorporating he expressive medium of niello, he interrupts that surface texture through his precise, geometric forms. In addition to precious metals, the basic materials of Gigi Mariani’s jewellery include iron, copper and brass. His incredibly sculptural and geometric wearable works of art have become a testament to Mariani’s incredible attention to materiality as both a goldsmith and visual artist.    

Round Construction

Sep
30

Gigi Mariani  Round Construction, 2020 Silver, 24kt yellow gold, niello, patina ring Diameter 3cm h 2,9 cm Unique and Signed Gigi Mariani works with antique, almost forgotten techniques. Using niello, a blackener with the aid of sulfur, he conceals the preciousness of the noble metal. Under the application of heat, “blood clots” and cracks appear in the surfaces — making them appear marked by age. Mariani engages his instinctive approach of using the metal surface as a canvas, incorporating he expressive medium of niello, he interrupts that surface texture through his precise, geometric forms. In addition to precious metals, the basic materials of Gigi Mariani’s jewellery include iron, copper and brass. His incredibly sculptural and geometric wearable works of art have become a testament to Mariani’s incredible attention to materiality as both a goldsmith and visual artist.  

Pebbles series #2

Sep
30

Gigi Mariani  Pebbles series #2, 2020 Silver, 24kt yellow gold, niello, patina ring 3 x 3 x h3,1 cm Unique and Signed Gigi Mariani works with antique, almost forgotten techniques. Using niello, a blackener with the aid of sulfur, he conceals the preciousness of the noble metal. Under the application of heat, “blood clots” and cracks appear in the surfaces — making them appear marked by age. Mariani engages his instinctive approach of using the metal surface as a canvas, incorporating he expressive medium of niello, he interrupts that surface texture through his precise, geometric forms. In addition to precious metals, the basic materials of Gigi Mariani’s jewellery include iron, copper and brass. His incredibly sculptural and geometric wearable works of art have become a testament to Mariani’s incredible attention to materiality as both a goldsmith and visual artist.

Dance

Sep
30

Gigi Mariani Dance, 2020 Silver, 18kt yellow gold, niello ring h 3,1x  7,75/4,9cm Unique and Signed

Rongorongo (ring)

Sep
17

Tania Pistone Rongorongo, 2019 18kt gold and bespoke coloured enamel (red, white, black and blue) ring 1,5cm height or variable dimensions Unique and signed Tania Pistone’s wearable art project for Elisabetta Cipriani gallery came to life following the artist’s Rongorongo series, paintings which depict an imaginary alphabet on gold-leaf plates. In her Rongorongo paintings, Pistone creates symbols in a deliberate attempt to reach an ideal alphabet, which addresses our shared, collective human unconscious. A place which she believes has been shaped by the experiences of our ancestors: “The modern human is unable to recover the vision of the world held by our ancient ancestors, a vision which I believe still lives within us. We can only access it is through symbols which represent a story, a colour, a number, or a star… To make a sign vibrate as a symbol our interpretative intent must be to achieve that freedom one feels after making a void. This void gives the symbol some space to activate within us, just like sound vibrations in a sound box. A soundbox cannot produce any vibrations if it is full or if it is completely closed. The sign then becomes a bridge between two worlds, where the subtle […]

Rongorongo (ring)

Sep
17

Tania Pistone Rongorongo, 2019 18kt gold and bespoke coloured enamel (red, white, black and blue) ring 1,5cm height or variable dimension Unique and signed Tania Pistone’s wearable art project for Elisabetta Cipriani gallery came to life following the artist’s Rongorongo series, paintings which depict an imaginary alphabet on gold-leaf plates. In her Rongorongo paintings, Pistone creates symbols in a deliberate attempt to reach an ideal alphabet, which addresses our shared, collective human unconscious. A place which she believes has been shaped by the experiences of our ancestors: “The modern human is unable to recover the vision of the world held by our ancient ancestors, a vision which I believe still lives within us. We can only access it is through symbols which represent a story, a colour, a number, or a star… To make a sign vibrate as a symbol our interpretative intent must be to achieve that freedom one feels after making a void. This void gives the symbol some space to activate within us, just like sound vibrations in a sound box. A soundbox cannot produce any vibrations if it is full or if it is completely closed. The sign then becomes a bridge between two worlds, where the subtle […]

Rongorongo (ring)

Sep
17

Tania Pistone Rongorongo, 2019 18 kt gold and bespoke coloured enamel (red, white, black and blue) ring 1,5 cm height or variable dimensions Unique and signed Tania Pistone’s wearable art project for Elisabetta Cipriani gallery came to life following the artist’s Rongorongo series, paintings which depict an imaginary alphabet on gold-leaf plates. In her Rongorongo paintings, Pistone creates symbols in a deliberate attempt to reach an ideal alphabet, which addresses our shared, collective human unconscious. A place which she believes has been shaped by the experiences of our ancestors: “The modern human is unable to recover the vision of the world held by our ancient ancestors, a vision which I believe still lives within us. We can only access it is through symbols which represent a story, a colour, a number, or a star… To make a sign vibrate as a symbol our interpretative intent must be to achieve that freedom one feels after making a void. This void gives the symbol some space to activate within us, just like sound vibrations in a sound box. A soundbox cannot produce any vibrations if it is full or if it is completely closed. The sign then becomes a bridge between two worlds, where […]