Untitled

Untitled

Dec
05

Meret Oppenheim Untitled, 1984-1986 Onix and 18 kt yellow gold ⌀ 3,5 cm Edition of 10 Numbered and signed Cleto Munari edition

SUPERLUNARY Cloud

Nov
28

Noor Fares X Flavie Audi Superlunary Cloud Rhombus Ring in White Gold with Carved Natural Rock Crystal, Coloured Sapphires & Diamond Unique piece The SUPERLUNARY collection fuses Flavie’s exploration into the symbiosis of the synthetic and the natural with Noor’s minimal aesthetic, creating pieces that echo lunar bodies transfixed in a seemingly eternal fluidity that hover between the realm of the real and the synthesised. The fluid geometry of the pieces are created through different processes: hand carved stone requiring high levels of craftsmanship inlaid with artificial and natural gems, synthetic resin that swallows natural stones to form ethereal clouds and silver with resin moulded by a 3D printer. These materials together form an ambiguous juxtaposition through which the lines between the two are blurred. This duality invites the viewer to consider the relative merits of each material. In an era of technological innovation that has seen the creation of flawless, synthetic diamonds, undetectable by man or machine, the work questions the values and authenticity inherent within these materials.

Carrying Memory ring

Nov
09

Chiharu Shiota, Carrying Memory, 2018 18kt gold, ring 4 x 10 cm Unique within an edition of 8 + 2AP Signed Through the use of 18kt gold, Chiharu Shiota intricately intertwines and folds threads which gradually expand into the universe, becoming an extension of the body in space. The ring that can also be used as a pendant, has been conceived and perceived in the same way as Shiota’s thread installations in which she integrates meaningful object related to everyday life. The traces left behind by a human life are also conceptually explored in the ring/pendant, which is made entirely of golden webbed threads to symbolise the inside of a human body.  

Black Diamond Emerald Ring

Oct
03

Monica Bonvicini Black Diamond Emerald Ring, 2014 18kt blackened gold, 4.94ct diamond, emeralds, Edition of 5 Monica Bonvicini’s jewellery collection has been created in collaboration with VIERI, the fine jewellery brand based in Berlin. The collection is Monica Bonvicini’s very personal take on how to interpret jewellery. There is an underlying subtle humour in the pieces, as in the unpredicted grenades featured alongside the sapphires in the long chain. The key inspiration for the collection is based on a rejection of classical styles for open and inventive women and men. Personalities who dare to see jewellery as being about personal expression rather than just status.

butterfly wings

Sep
26

Ania Guillaume Butterfly wings, 2018 titanium ring 50 x 30 x 21 mm unique In sculpture as much as in wearable art, there is a strong perception of the spiritual natural universe. Flowers or animals are designed within the shape of the jewel and, once worn, they create an elegant dialogue within the wearer and nature. The first wearable art pieces were made in 2011 in gilded bronze and later she moved to silver gold plating.

SPRING FLOWERS

Sep
26

Ania Guillaume Spring flowers, 2018 gold plated silver ring 28 x 28 x 26 mm unique In sculpture as much as in wearable art, there is a strong perception of the spiritual natural universe. Flowers or animals are designed within the shape of the jewel and, once worn, they create an elegant dialogue within the wearer and nature. The first wearable art pieces were made in 2011 in gilded bronze and later she moved to silver gold plating.

Ginkgo

Sep
25

Ania Guillaume Ginkgo, 2018 85 x 75 x 25 mm unique In sculpture as much as in wearable art, there is a strong perception of the spiritual natural universe. Flowers or animals are designed within the shape of the jewel and, once worn, they create an elegant dialogue within the wearer and nature. The first wearable art pieces were made in 2011 in gilded bronze and later she moved to silver gold plating.

ring band spheres in yellow gold

Sep
24

POL BURY Ring band spheres in yellow gold 2001 Yellow gold 18 kt 8 ex + IV EA cm. 2,4,  gr 34 Marylart Edition   Pol Bury emphasizes movement as an essential element of sculpture, stressing that his works are not complete until they are set into motion. Working with stainless and Cor-Ten steel, he produced monumental balls that spin or roll, columns that rotate, and planes that slope, all operated by concealed manual mechanisms. The movement that he assigns to these sculptures is often a slow, imperceptible action that does not immediately register in the viewer’s eye. These jewellery pieces are only completed once worn, as the movement of the hand triggers the motion of the elements.

SUGAR RING

Sep
14

Meret Oppheinem Sugar ring, 2014 – design from 1936 Silver gold plated, sugar, white marble 34 x 25 x 20 mm Numbered Unlimited edition Gems and Ladders Edition ‘I love natural materials. But everything man makes is nature, even plastic, even the atomic bomb,’ Meret Oppenheim observed in an interview with Valie Export in 1975. The sugar ring, which Meret Oppenheim designed in the mid-1930s, is an absurd and delightful combination of artifice and so-called nature, of opulent and cheap materials. The throwaway and frangible sugar cube is elevated to the status of a lasting, precious stone; an edible material is made wearable. At any time the wearer can exchange the cube for a fresh ‘jewel’. Courtesy of the Artist and Gems and Ladders  

Ginkgo

May
11

Ania Guillaume Ginkgo 2018 silver and yellow gold plated ring hand finished and signed unique In sculpture as much as in wearable art, there is a strong perception of the spiritual natural universe. Flowers or animals are designed within the shape of the jewel and, once worn, they create an elegant dialogue within the wearer and nature. The first wearable art pieces were made in 2011 in gilded bronze and later she moved to silver gold plating.