Necklace

Necklace

Jun
02

Monica Bonvicini Necklace 2014 18 kt white gold, 18 kt rose gold, 49 sapphire, 4 malachite   Monica Bonvicini’s jewellery collection has been created in collaboration with VIERI, the fine jewellery brand based in Berlin. The collection is Monica Bonvicini’s very personal take on how to interpret jewellery. There is an underlying subtle humour in the pieces, as in the unpredicted grenades featured alongside the sapphires in the long chain. The key inspiration for the collection is based on a rejection of classical styles for open and inventive women and men. Personalities who dare to see jewellery as being about personal expression rather than just status.    

Necklace

Jun
02

Monica Bonvicini Necklace 2014 18 kt rose gold, 49 sapphire, 4 malachite   Monica Bonvicini’s jewellery collection has been created in collaboration with VIERI, the fine jewellery brand based in Berlin. The collection is Monica Bonvicini’s very personal take on how to interpret jewellery. There is an underlying subtle humour in the pieces, as in the unpredicted grenades featured alongside the sapphires in the long chain. The key inspiration for the collection is based on a rejection of classical styles for open and inventive women and men. Personalities who dare to see jewellery as being about personal expression rather than just status.

Atena Lemnia

Feb
03

Giulio Paolini Atena Lemnia 2016 18 kt white gold bas-relief necklace edition of 8 signed and numbered Giulio Paolini’s first wearable art project has been ideated around the idea of love. This gold bas-relief pendant is inspired by former installation of the artist ‘Sulla Soglia’. It represents a woman in Hellenistic style seen from behind, facing directly at the heart of the wearer. She is trying to trespass the threshold between the outer and the inner dimension, emphasizing the universality of the gaze as a bonding action This piece condenses the essence of the artist’s research that has always demonstrated interest in exploring the nature of images and the relationship between image and viewer. Through replication, fragmentation and citation Paolini often incorporates elements from the past into his artworks, thus establishing an artistic dialogue across times and styles.

Psiche (senza Amore)

Jan
17

Giulio Paolini Psiche (Senza Amore) 2016 Silver rhodium plated necklace edition of 8 signed and numbered Giulio Paolini’s first wearable art project has been ideated around the idea of love. This silver   engraved pendant is inspired by former installation of the artist ‘Amore e Psiche’. It represents a woman in Hellenistic style seen from behind, facing directly at the heart of the wearer. She is trying to trespass the threshold between the outer and the inner dimension, emphasizing the universality of the gaze as a bonding action This piece condenses the essence of the artist’s research that has always demonstrated interest in exploring the nature of images and the relationship between image and viewer. Through replication, fragmentation and citation Paolini often incorporates elements from the past into his artworks, thus establishing an artistic dialogue across times and styles.

Psiche (senza Amore)

Jan
17

Giulio Paolini Psiche (Senza Amore) 2016 18 kt yellow gold engraved pendant edition of 8 signed and numbered   Giulio Paolini’s first wearable art project has been ideated around the idea of love. This gold engraved pendant  is inspired by former installation of the artist ‘Amore e Psiche’. It represents a woman in Hellenistic style seen from behind, facing directly at the heart of the wearer. She is trying to trespass the threshold between the outer and the inner dimension, emphasizing the universality of the gaze as a bonding action This piece condenses the essence of the artist’s research that has always demonstrated interest in exploring the nature of images and the relationship between image and viewer. Through replication, fragmentation and citation Paolini often incorporates elements from the past into his artworks, thus establishing an artistic dialogue across times and styles.

Articulation

Oct
03

Ute Decker Articulation 2015 recycled silver necklace limited edition signed

Boucle de mer

Jul
07

Miquel Barceló Boucle de mer (Sea curl) 2007 18kt satin yellow gold d. 15 cm edition of 20 hand finish signed and numbered The collection of Miquel Barceló came to life in 2007 through a dialogue between the artist and his friend Chus Burés. These pieces are linked to the artist’s iconography and in tune with his serpentine aesthetic of that time. Before the collaboration started, Barceló finished the altarpiece for the Blessed Sacrament Chapel in Palma Cathedral, Majorca; a magical world that drew life from the sea and plants. Out of it arose a series of jewels that writhes and swirls with the movement of the sea. The contours of the Boucles de Mer (Sea Curls), primordial in their irregularity, invite us to enjoy Barcelo’s majestic art in mini sculptural jewellery form thanks to Burés. Barceló made many test pieces out of variety of easily worked material – aluminium foil, cardboard and pieces of wax he shaped with his hand, leaving fingerprints that are reproduced in some of the jewels.  

Segmenti

May
12

Giorgio Vigna Segmenti 2015 32 cage segments in oxidised silver and 1 cage segment in 18kt yellow gold necklace 96 cm long unique and signed Giorgio Vigna’s artistic pathway is a journey out of the ordinary expressed by the strong link between his broad artistic research and nature, and the relationship that connects form and matter. In the jewellery, as much as in his artistic production, Vigna shows his versatility. The artist creates unique pieces expressing the diverse disciplines he works with: the virtues of glass, the jewellery as sculpture, and the soul of the precious.

Les Algues de mer

Feb
25

Miquel Barceló Les Algues de mer (Seaweed) 2007 oxidised sterling silver necklace d. 17 cm h. 35 mm edition 2 of 20 cast and hand finish signed and numbered The collection of Miquel Barceló came to life in 2007 through a dialogue between the artist and Chus Burés. These pieces are linked to the artist’s iconography and in tune with his serpentine aesthetic of that time. Before the collaboration started, Barceló finished the altarpiece for the Blessed Sacrament Chapel in Palma Cathedral, Majorca; a magical world that drew life from the sea and plants. Out of it arose Les Algues de Mer (Seaweed) and a series of jewels that entitled Boucles de Mer (Sea Curls) made in 18 kt gold and oxidised silver. Barceló made an enormous pile of test pieces out of variety of easily worked material – aluminium foil, cardboard and pieces of wax he shaped with his hand, leaving fingerprints that are reproduced in some of the jewels.

Gousse marine

Feb
25

Miquel Barceló Gousse marine (Sea Pod) 2007 pendant 18K yellow gold, satin finish 13 x 2.8 cm edition 11 of 20 cast and hand finish signed and numbered The collection of Miquel Barceló came to life in 2007 through a dialogue between the artist and Chus Burés. These pieces are linked to the artist’s iconography and in tune with his serpentine aesthetic of that time. Before the collaboration started, Barceló finished the altarpiece for the Blessed Sacrament Chapel in Palma Cathedral, Majorca; a magical world that drew life from the sea and plants. Out of it arose Gousse marine (Sea Pod) and a series of jewels that entitled Boucles de Mer (sea curls) made in 18 kt gold and oxidised silver. Barceló made an enormous pile of test pieces out of variety of easily worked material – aluminium foil, cardboard and pieces of wax he shaped with his hand, leaving fingerprints that are reproduced in some of the jewels.