Paolo Canevari Piovra (Octopus), 2019 oxidised silver and cultured pearls H 10.2cm, W 7.0 cm Edition of 10 Signed and numbered The Octopus, which elegantly wraps around the wrist of the wearer, symbolises various facets of power. The seductive power of the erotic in Japan, the omnipresent power of the mafia in Italy, and in Hollywood the animal symbolises the uncanny power of the criminal and terrorist organization Spectre in the infamous Bond movies. The bracelet invites its wearer to reflect on the complex interconnectedness of seduction, danger and authority.
John Moore Elytra Gold and Sunset Earrings 18kt gold and sunset colours aluminium earrings (reversible) 9.0 cm Unique Oxford’s Pitt Rivers museum hums with the intense, magical energy of its tribal artefacts – jewellery that springs from the natural world. This is where the story of Elytra began. The name Elytra comes from the forewings of beetles. The overlapping structure is reminiscent of the repeating patterns of fish, feathers and plants.
Chiharu Shiota, Carrying Memory, 2018 18kt gold, ring 4 x 10 cm Unique within an edition of 8 + 2AP Signed Through the use of 18kt gold, Chiharu Shiota intricately intertwines and folds threads which gradually expand into the universe, becoming an extension of the body in space. The ring that can also be used as a pendant, has been conceived and perceived in the same way as Shiota’s thread installations in which she integrates meaningful object related to everyday life. The traces left behind by a human life are also conceptually explored in the ring/pendant, which is made entirely of golden webbed threads to symbolise the inside of a human body.
Chiharu Shiota Carrying Memory, 2018 18kt yellow gold and oxidised silver necklace ⌀ 20 cm Unique within a series of 8 plus 2 AP. Signed Through the use of 18kt gold, Chiharu Shiota intricately intertwines and folds threads which gradually expand into the universe, becoming an extension of the body in space. For the necklace, Chiharu Shiota chose to create the art piece around a key, a meaningful object related to everyday life. Viewing keys as “familiar and very valuable things that protect important people and spaces in our lives”, the artist invites us to make a profound and treasured connection with the necklace. Within the golden threads, Shiota suspends the contrasting silver key with a powerful, dark and dreamlike potency.
Sissi Nidi (Nests), 2018 18kt gold earrings 9 x 7,5 cm circa Unique Nidi (Nests) is a project entirely handmade by the artist and consists of a pair of earrings and two pendants that can also be worn as brooches or displayed as sculptures. Inspired by the idea of a safe place, these wearable sculptures like the natural nests, embrace the life and the body of the wearer. The gold pendant finds protection over the heart and when worn as a brooch, finds its peace between the branches of the ribs. Manual ability is central in Sissi’s work: she delicately intertwines and welds gold and silver threads with coloured stones and twists hand painted enamelled strips to make a new skin that represent an extension between her work and her body in the space. In the artist’s practise, everything starts from a small element that grows and develops in different forms. This flow take shape from the soul of the artist and is articulated from the body with a potentially infinite form.
Meret Oppheinem Sugar ring, 2014 – design from 1936 Silver gold plated, sugar, white marble 34 x 25 x 20 mm Numbered Unlimited edition Gems and Ladders Edition ‘I love natural materials. But everything man makes is nature, even plastic, even the atomic bomb,’ Meret Oppenheim observed in an interview with Valie Export in 1975. The sugar ring, which Meret Oppenheim designed in the mid-1930s, is an absurd and delightful combination of artifice and so-called nature, of opulent and cheap materials. The throwaway and frangible sugar cube is elevated to the status of a lasting, precious stone; an edible material is made wearable. At any time the wearer can exchange the cube for a fresh ‘jewel’. Courtesy of the Artist and Gems and Ladders
Carol Bove Untitled, 2016 Blackened aluminium, silver 85 mm Edition of 25 Gems and Ladders Edition With these earrings, Carol Bove recreates the four light fittings that hang outside the David H. Koch Theater in New York. The building was originally called the New York State Theater; it was built as part of New York State’s participation in the 1964–65 World’s Fair and is owned by the City of New York. The building’s architect was Philip Johnson, who united neoclassicism and modernism and was famously inspired by Mies van der Rohe. Courtesy of the Artist and Gems and Ladders
Francesco Arena Head Between Hand 2018 18kt yellow gold earrings edition of 10 signed and numbered Head between Hand is the first wearable art project created by Francesco Arena. The two earrings are cast of the artist’s thumb and little finger. A new born baby typically expands his hand with the aim to grab anything that surrounds him. This gesture symbolises his will to live and experience what is around him. This gesture has not changed for the artist, not even in his adult age, as he keeps on opening his hand to grasp what he wants and what he needs. Thumb and little finger get apart from each other to greet or to intimidate, to touch or to grab. The two artist’s fingers will hold the wearer’s head who will keep on bringing the artist’s hand around to experience anything the wearer lives.