Kendell Geers The Word (Love) Made Flesh, 2019 Silver and enamel cufflinks 2 x 2cm Edition of 20 Signed and numbered The Word (Love) Made Flesh collection consists of a pendant and cufflinks featuring an intricate figurine-like design derived from the ‘Hwe Mu Dua’ (‘measuring stick’) symbol – the West African Andrinka symbol of excellence and perfection. The pendant beautifully displays different brightly coloured patterns on each side, whereas the cufflinks reveal positive and negative black and images. These spiritually charged wearable sculptures cannot, however, be categorised as either European or African, but are rather representative of an interplay between cultures, archetypal signs, and sacred symbols. In the true spirit of Kendell Geers, the archetypal trickster, the ancient African symbols featured in The Word (Love) Made Flesh have been refashioned in an Afropunk style and spell out the word ‘LOVE.’ The Word (Love) Made Flesh thus epitomises the artist’s tendency to subvert ancient iconography by embracing both traditional and contemporary African aesthetics. As the title suggests, The Word (Love) Made Flesh invites the wearer to search for the hidden word within the figure. Words that reoccur throughout the artist’s works include ‘LOVE,’ ‘HATE,’ ‘FAITH,’ ‘FUCK,’ and ‘FREE,’ among others. The pendant and cufflinks can be […]
Ai Weiwei Ring W and Ring M, 2018 24kt yellow gold rings 2.48 x 2.88 x 1.65 cm; 2.72 x 3.04 x 1.86 cm edition of 6 (per model) After three years of intense artistic and social commitment, Ai Weiwei returns to create unique jewels with the purity of 24kt gold that can be worn by women and men. The exclusive project, which includes two models of rings, realized in an edition of 6 pieces each, reflects the artist’s concern about the human condition, the awareness of what it means to be trapped, bound, and deprived of the freedom to travel and to determine one’s own existence. Inspired by ancient Egyptian hieroglyphics and the processing of gold in ancient Greece, the rings continue the artist’s research on human migration – as witnessed in the artist’s ground-breaking documentary ‘Human Flow’ (2017). The wearable artworks are representative of Ai Weiwei’s sensitivity to the duality of human nature, with its capacity for nurture and kindness on one hand yet destruction and cruelty on the other. In the centre of the ring’s face, depictions of migrants’ stories unfold under a mysterious half-moon: by foot or by sea, some are portrayed travelling together and others alone. Ai […]
Sissi Nidi (Nests), 2019 18kt gold thread ring with rubies, sapphires, emeralds, and diamonds 4.2 x 4.2 cm circa unique Nidi (Nests) is a project inspired by the idea of a safe place, these wearable sculptures like the natural nests, embrace the life and the body of the wearer. Manual ability is central in Sissi’s work: she delicately intertwines and welds gold and silver threads with coloured stones to make a new skin that represents an extension between her work and her body in the space. In the artist’s practice, everything starts from a small element that grows and develops in different forms. This flow take shape from the soul of the artist and is articulated from the body with a potentially infinite form.
Sophie Whettnall Bracelet, 2019 18kt yellow satin gold bracelet 5cm (H) Edition of 6 Signed and numbered “I had never designed jewelry before, nor had the idea of doing it ever crossed my mind. But when a friend asked if I’d be interested, I immediately said yes. My points of reference were very personal: I wanted to design something that I could see myself wearing, and something that would have a continuity with my work as an artist. That meant that there would have to be holes; recently, I have been particularly fascinated by the texture created through drilling. And there would have to be folds or curves, because they are elegant and mysterious: what’s on the other side? These two considerations led me to think of the bracelet and ring: flat surfaces that would become textured through drilling and voluminous through folding. Surprisingly, pretty much the first sketches I made felt right, and I resisted every impulse to tinker with them.” – Sophie Whettnall
Paolo Canevari Lupa Romana, 2019 oxidised silver, 18kt yellow gold pendant/bracelet with diamonds 3 cm tall, 9.5 cm wide, 5 cm diameter edition of 10 signed and numbered Paolo Canevari continues his analysis of the iconography of power in this beautiful pendant necklace, which can also be worn as a bracelet. The official symbol of the City of Rome today, the She-Wolf has been venerated by Romans since the times of antiquity for her nurturing and protective powers. With the animal’s traditional representation of instinct, intelligence and value of interpersonal connections, Lupa Romana is an invitation to reflect on what these metaphysical qualities mean to us.
John Moore Elytra Gold and Sunset Earrings 18kt gold and sunset colours aluminium earrings (reversible) 9.0 cm Unique Oxford’s Pitt Rivers museum hums with the intense, magical energy of its tribal artefacts – jewellery that springs from the natural world. This is where the story of Elytra began. The name Elytra comes from the forewings of beetles. The overlapping structure is reminiscent of the repeating patterns of fish, feathers and plants.
Chiharu Shiota Carrying Memory, 2018 18kt yellow gold and oxidised silver necklace 20 cm unique within a series of 8 plus 2 AP. signed Through the use of 18kt gold, Chiharu Shiota intricately intertwines and folds threads which gradually expand into the universe, becoming an extension of the body in space. For the necklace, Chiharu Shiota chose to create the art piece around a key, a meaningful object related to everyday life. Viewing keys as “familiar and very valuable things that protect important people and spaces in our lives”, the artist invites us to make a profound and treasured connection with the necklace. Within the golden threads, Shiota suspends the contrasting silver key with a powerful, dark and dreamlike potency.
Meret Oppenheim Sugar ring, designed in 1936, executed in 2014 silver gold plated ring with sugar and white marble 3.4 x 2.5 x 2 cm numbered Gems and Ladders edition ‘I love natural materials. But everything man makes is nature, even plastic, even the atomic bomb,’ Meret Oppenheim observed in an interview with Valie Export in 1975. The sugar ring, which Meret Oppenheim designed in the mid-1930s, is an absurd and delightful combination of artifice and so-called nature, of opulent and cheap materials. The throwaway and frangible sugar cube is elevated to the status of a lasting, precious stone; an edible material is made wearable. At any time the wearer can exchange the cube for a fresh ‘jewel’. Courtesy of the Artist and Gems and Ladders