Maria Nepomuceno (born 1976 Rio de Janeiro, Brazil- currently living in Rio de Janeiro) began studying art at age 14 with free courses in drawing, painting, sculpture, theory, and industrial design at the School of Visual Arts of Parque Lage.
Maria Nepomuceno is a sculptor and installation artist whose labour-intensive practice is based upon traditional weaving techniques. Her work establishes a relationship between body and nature and the micro to the macrocosm, weaving the memories of their own backgrounds and experiences, promoting an encounter between past, present and future.
Using traditional methods of rope weaving and straw braiding as well as techniques of her own design Maria Nepomuceno has, since the early 2000s, developed a process of sewing coils of coloured rope in spirals. She explores the potentially endless permutations of this adaptable form in sculptures and installations that incorporate coloured beads, playful ceramic forms and found objects of varying sizes. Often realised in carnival-bright colours, these works are chromatically, culturally and metaphorically rich, suggesting animals, plants, the human body and landscape ranging from the microscopic to the macrocosmic.
Nepomuceno’s fluid forms articulate space in a playful way, sometimes inviting tactile exploration. In recent years collaboration has become a more overt factor in her work. She has worked with indigenous Huni Kuin people in the state of Acre in the north of Brazil to develop weaving techniques and has also formed links with community groups to realise projects for her exhibitions. This spirit of cooperation and openness has extended to the display of several of her large-scale installations, where visitors are invited to interact directly with her elements of her work.
Maria Nepomuceno’s exhibitions include Sikkema Jenkins & Co., New York (2018); A Gentil Carioca, Rio de Janeiro, Brazil (2018); Stavanger Art Museum (2017); Barbican Centre, London (2016); Museu de Arte Moderna, Rio de Janeiro (2013); Turner Contemporary, Margate (2012); Magasin 3, Konsthall, Stockholm (2010); Galeria Karsten Greve, Cologne (2009); Steve Turner Contemporary Gallery, Los Angeles (2009) and Paço das Arte, São Paulo (2008) amongst others. Her works are included in public collections such as Auckland Art Gallery, Auckland, USA; Catherine Petigas Collection, London, UK; Guggenheim Museum, New York, USA; José Olympio Collection, São Paulo, Brazil; Magasin III, Stockholm, Sweden; Mara and Marcio Fainziliber Collection, Rio de Janeiro, Brazil; Marc and Livia Straus Family Collection, New York, USA ;Museu de Arte; Contemporanea de Niterói, Brazil; Museu de Arte do Rio, Brazil; Museu de Arte Moderna da Bahia, Salvador,Brazil; Museu de Arte Moderna, Rio de Janeiro, Brazil; Museum of Fine Arts, Boston, USA; Rubell Familly Collection Contemporary Arts Foundation, Miami, USA