Vogue Ukraine

Vogue Ukraine

Sep
09

August 2016 Golden Age of Art by Tetyana Solovey Read

Financial Times – Watches and Jewellery

Sep
05

June 2016 Ten pieces of wedding jewellery that are not rings by Hattie Judah Read

The Art Newspaper

Jul
12

16 June 2016 Design Miami branches out in Basel by Hannah McGivern Read

Art in Jewellery | 5 July – 5 August

Jul
05

Elisabetta Cipriani Jewellery by Artists is pleased to present the summer exhibition “Art in Jewellery”, a group show with the aim of exploring the mental, visual and tactile characteristics of ART in jewellery. The exhibition will be a performative experience where the interaction with the wearable sculptures will be led by human voice and movement. The encounter will be a tête-à-tête, the conversation and relationship between the narrator and the spectator will be crucial in the understanding of the works. For each selected project, the emphasis will be on revealing the hidden stories, the poetics and provocations of the artist in creating a wearable art piece and feeling the intimate connection between the work and the wearer. The artists selected for the summer show are: Enrico Castellani, Pedro Cabrita Reis, Carlos Cruz Diez, Jacqueline De Jong, Ute Decker, Ilya and Emilia Kabakov, Avish Khebrehzadeh, Jannis Kounellis, Giorgio Vigna, Ai Weiwei and Erwin Wurm.

Elisabetta Cipriani at Design Miami 2016/ Basel

Jun
07

Elisabetta Cipriani – Jewellery by Artists Design Miami/ Basel | 13- 19 June 2016 Booth G21 Elisabetta Cipriani – Jewellery by Contemporary Artists is delighted to present at Design Miami/ Basel a unique solo exhibition with renowned Chinese artist Ai Weiwei. Cipriani works with internationally acclaimed contemporary artists to create one of a kind wearable sculptures made from precious materials. Rebar in Gold takes root in Ai Weiwei’s investigation into the devastating 2008 Wenchuan earthquake in Sichuan Province, China, which killed approximately 70,000 people. Ai’s concern focused on the distressing number of children who perished due to the poor construction techniques used to build government schools. Upon visiting Wenchuan after the earthquake, Ai found a mass of contorted steel rebar, left behind from the fallen school buildings. Ai purchased 200 tonnes of the material from the scrapyards, where they were sent after the sites were cleared, for use in a bold body of work dedicated to the catastrophe. “It is about commemoration and memory” Ai Weiwei says. “Whether your memory or the one I have, that’s up to you, so you mould the piece to suit you. I used gold because it’s precious and that’s what life is. If you […]

BLOUIN ARTINFO

May
11

03 May 2016 Interview: Elisabetta Cipriani on Ai Weiwei’s First Foray Into Jewelry by Jana Perkovic Read

Art16 | Talks | May 20 2016, 3PM

May
05

WEARABLE ART: ARTIST-MADE JEWELLERY TRANSFORMS THE WEARER INTO A WALKING WORK OF ART Friday May 20 2016, 3:00 @ Art16, Olympia – London Panel: Elisabetta Cipriani, Stephen Webster MBE, Andrew Logan, Didier Haspeslagh, moderated by Harriet Quick Collectable, covetable and (relatively) affordable, artist-made jewellery is the millenial art-lover’s must-have, but what is behind its sudden surge in popularity? From Alexander Calder and Yves Tanguy, who both made earrings for the ground-breaking collector Peggy Guggenheim, in 1942, to Salvador Dali, Pablo Picasso and Man Ray, artists have long-regarded jewellery as small-form sculpture. They tended to produce pieces as one-offs for their most loyal patrons but, recently, galleries devoted to wearable art have sprung up and are commissioning the world’s top contemporary artists to create these dimuitive works. Always tactile, sometimes kinetic or emitting tiny sounds, the pieces are all about an intimate relationship between the artist, the work and the wearer – the artist’s imaginary woman come to life.

HARPERS BAZAR ARABIA

Apr
19

Spring 2016 The Art of Adornment by Harriet Quick Read pdf

FROM LONDON TO ROME |Precious (IDENTITY) | 13 – 19 April

Mar
22

“The starting point is the encounter with the artist, whether planned or unexpected, it begins the challenge to create a wearable sculpture, not only precious but also capable of expressing a new identity. This is the result of the artist’s creativity, of the dialogue with the gallerist and of the personality of whom chooses to wear it.” Originally from Rome and now gallerist in London, Elisabetta Cipriani will be back in her hometown after nearly eleven years, choosing the ‘room of Babel’ at the Nuova Pesa Gallery of Simona Marchini. A room with a strong identity to bring together twelve artists with different aesthetical languages: not only a jewellery exhibition, but a chance to share artistic paths, at times dialectical, which find accord in the space provided by Elisabetta Cipriani. The abstract avant-garde of Carla Accardi, the relief structures of Enrico Castellani, the reflections on space and memory by Pedro Cabrita Reis, the strong message of Jannis Kounellis’s Arte Povera, the metaphor on spiritual energy of Rebecca Horn, the humour of Erwin Wurm – defined ‘as cool as a cucumber’– and the primordial, natural shapes of Giorgio Vigna are only some of the artistic provocations of (Precious) Identity.  All of […]

Financial Times – How to Spend it – Smart Arts

Mar
02

20 February 2016 PRET ART PORTER by Claire Wrathall Read pdf